Vox ac30cc2 amplifier
Pretty good iPad interface, as well.ġ) No motorized faders, no multi channel selection, and I wasn’t crazy about the way you set up your monitor mixes. Churches really need that capability these days. Easy to use, pretty good live, and great on recording. I don’t know if I would buy it just to record with, but in a church application, it’s perfect. Call me old-fashioned.Ĥ) The recording capability of this board is strong. FOUR!), it feels nice to see all those mic inputs staring at you. In a world where the Behringer Xenyx 1222 is marketed as having 16 inputs (four XLRs. And if your board doesn’t feature compression, gating, and EQ on every channel, aux, and group, then why did you even go digital? Good effects section, too.ģ) It feels shameful to even say it, but I was happy to see that “16 channels” meant “16 real XLRs”. Real Solo and Mute hardware buttons (nothing worse than hearing some screaming feedback and having to navigate a bunch of menus to mute the channel.
#Vox ac30cc2 amplifier pro#
When we put it through its paces in the shop, we didn’t have to break out the user’s guide once, and were able to do pretty much everything we attempted.Ģ) The StudioLive retains a great many pro and semi-pro features of pricier entry level boards like the LS9. A quick breakdown of what jumped out at us (and what didn’t)ġ) For such a small desk, its very easy to navigate. Of course, the motorized faders are gone (at this price, it would be tough to expect otherwise, and better to get rid of the motorized faders altogether than to put in cheap ones that are a constant problem), as well as simultaneous multiple channel selection, but the StudioLive manages to retain enough features to place it in the category of “A Real Board”. The folks at Presonus have clearly worked hard to avoid some of the pitfalls of their predecessors. The lower price tag means leaving out some features (adios, motorized faders), while the smaller size means a decrease in that user-friendly functionality (hello, one knob that does a whole bunch of stuff).Īnd this leads me to the surprise that is the Presonus StudioLive 16.4.2.
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But with a small frame (25 channels or less) console on a budget, things get a bit more complicated. Here’s the problem: when a company sets out to design a large frame, expensive digital console like the Yamaha PM5D, their only concerns are features and functionality what they want the user to be able to do, and the friendliest way to access those abilities. But, the customer is always (sometimes) right, and he eventually talked me into ordering one so we could check it out. So when the worship leader one of the churches that we work with regularly called and said that he was interested in buying the Presonus StudioLive 16.4.2, I immediately thought back to bad experiences with the Yamaha O1V, the Tascam FW1884, and pretty much every other small, cheap digital console that I have mixed on in the last few years. I’ve got to admit, the phrase “affordable digital mixer” has always seemed like a contradiction in terms to me. So without any further ado, here’s the video of the comparison… The AC30CC2’s internal speakers will be bypassed for this comparison. 27.75″ x 10.4″ (D) x 21.25″ (H)īoth amps will be running through a 2×12″ cabinet loaded with Eminence Legend GB128 speakers.
![vox ac30cc2 amplifier vox ac30cc2 amplifier](https://www.12fret.com/wp-content/uploads/vox-ac30c2-2013-cons-full-front.jpg)
![vox ac30cc2 amplifier vox ac30cc2 amplifier](https://images.guitarguitar.co.uk/cdn/large/150/PX180113320809002b.jpg)
LADIES AAAAAAANNNNDDD GENTLEMEN…LET’S GET READY TO RUMBLE!!!!
![vox ac30cc2 amplifier vox ac30cc2 amplifier](https://images.reverb.com/image/upload/s--r55MIrfX--/a_exif,c_limit,e_unsharp_mask:80,f_auto,fl_progressive,g_south,h_1600,q_80,w_1600/v1532730744/honiowlofzv39ea7szox.jpg)
With that said, we decided to pit these two amps against eachother in an no holds barred AMPLIFIER SHOOTOUT! So we thought to ourselves, what do these amps sound like when directly compared to eachother when run through the exact same speakers? The two amps that we mainly use are the AC30CC2 and the AC30HH.īut while we use these two amps quite a bit, we don’t really get much of an opportunity to hear them side-by-side in a true tone comparison test. When folks turn to TSV to provide great backline rental for any concert audio or other special events, we rely on our tried-and-true Vox AC30’s to get the job done right, time and time again.